Skip to content

notes art

explorations in iphone notes

  • Blog
  • About

puppet

2024/07/23

July 23, 2024
The topmost and second-topmost balconies on a tall apartment block, set against a greenish-yellow sky. On the lower balcony, a person is operating a large black puppet attached to a rickety-looking stick. The puppet looks like a ghost, with a black halo hovering over its head and green eyes. Its arms are upraised. The person is holding the puppet up, so it is directly level with the top balcony, and someone on the top balcony is looking at it, hand out as though in shock.

2024/03/11

March 11, 2024
A drawing evenly divided into two sections: an upper one, all yellow, and a lower one, which is purpleish black. The effect suggests a cross-section of a two-story building. In the upper section, a reddish monster with a long snout and horns seems to be entertaining a person in a chair. The monster is talking to the person and holding up glowing white orb. The sun is shining in the sky. Below, we see the monster is actually a puppet on the end of a long pole held by a yellow person. The basement area, such as it is, has a small, dull-purple clock on the right side, with a bookshelf of colored books below it.

2023/03/18

March 18, 2023
A figure holds up, over its head, a giant puppet that looks like a smiley-face emoji. The puppet is huge, about twice the size of the figure. The puppet has its own smaller puppet (or, perhaps, meta-puppet?) which looks like a frowny-face emoji.

2023/03/17

March 17, 2023
A giant furry creature with one eye. On top of the creature's head is balanced a platform, on which sits a cafe table and chair. A person sits at the table, holding a mug. Across the table from the person is a puppet, which the furry creature is holding up from below. Above the person hangs a light. There are shadows, suggesting a somewhat darkened room.

2022/12/23

December 23, 2022
A villainous muppet with top hat and monocle
  • Mastodon
  • Instagram
  • Glass
  • Pixelfed
  • Link
  • RSS Feed

    All work © Chris Silverman